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Dynamic
microphone |
Most of you will have
used a dynamic mic at sometime or another -- if it looks like a mesh ball on a
stick, then it's almost certainly a dynamic model. In live sound, nearly all the
mics used are dynamics, and in the studio, instruments such as drums, electric
guitars, and basses may also be recorded using dynamic mics. Dynamic microphones
have the advantages of being relatively inexpensive and hard-wearing, and they
don't need a power supply or batteries to make them operate. So, how do they
work?
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Capacitor microphone
|
Capacitor mics have been around for several decades,
and although modern capacitor mics do incorporate a few small technical
improvements, the sound character has actually changed very little -- some of
the best-sounding models were designed over 20 years ago. Basically, the heart
of any capacitor mic is a pair of conducting plates, one fixed and the other in
the form of a moving diaphragm. When the spacing between the plates changes (as
it does when the diaphragm vibrates) the capacitance varies, and if a fixed
electrical charge is applied to the capacitor, an electrical signal is produced
which faithfully represents the diaphragm vibration.
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electret microphones
|
There is another type of
capacitor microphone, known as the electret mic. Despite inauspicious
beginnings, these have now been developed to the point where they can rival true
capacitor quality for a much lower price. Instead of applying an electrical
charge to the microphone capsule via an external power source, electret mics use
a diaphragm made from an insulating material that has a permanent electrical
charge. A preamplifier is still needed, but this can be built very cheaply, and
will run from a battery in some cases.



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